Peter Bernstein Quartet
January 20 ‑ January 25
Peter Bernstein – Guitar
Gerald Clayton – Piano
Vicente Archer – Bass
Billy Drummond – Drums
“Few guitarists put as much care, sensitivity and subtle strength into every single note as Bernstein does. Among the finest melodists in jazz, he has a full-breadth command of his instrument, but his biggest assets are his knack for crisp understatement and simplicity.
VANGUARD JAZZ ORCHESTRA
Every Monday Night
SAXOPHONES:
Ted Nash (lead alto)
Billy Drewes (alto)
Rich Perry (tenor)
Ralph Lalama (tenor)
Gary Smulyan (bari)
TRUMPETS:
Brian Pareschi (lead), Jon Shaw, Terell Stafford, Scott Wendholt
TROMBONES:
Dion Tucker (lead trombone)
Jason Jackson, Robert Edwards, Max Seigel (bass trombone)
RHYTHM SECTION:
Adam Birnbaum (piano)
David Wong (bass)
John Riley (drums)
“The Vanguard Jazz Orchestra began its life as the Thad Jones/Mel Lewis Orchestra in 1966.The world-famous Village Vanguard jazz club in New York City booked the newly formed band for three Monday nights that February. Those performances were wildly successful and the engagement was extended indefinitely. The Village Vanguard’s owner, Max Gordon, told Mel Lewis, “We’ll keep it going until it tapers off.” Over half a century and more than 2700 Monday nights later, it still hasn’t. The Vanguard Jazz Orchestra stands apart from all other modern ensembles of its kind and is still as strong and vital as ever.
Kurt Rosenwinkel Riptet
January 27 - February 1
Kurt Rosenwinkel – Guitar
Aidan McKeon – Saxophone
Joe Block – Piano
Alexander Claffy – Bass
Ofri Nehemya – Drums
“Among his generation of jazz musicians, Kurt Rosenwinkel has to be the most beloved guitarist. Chalk it up to his originality: He's set trends among his peers with ideas about harmony and form, and he's created an easily recognizable playing style on an instrument where individuality is rare in mainstream jazz.
Thad Jones and Mel Lewis Orchestra, ca 1966
Vanguard Jazz Orchestra: 60th Anniversary Week
February 3 - February 8
SAXOPHONES: Ted Nash (lead alto) Billy Drewes (alto) Rich Perry (tenor) Ralph Lalama (tenor) Gary Smulyan (bari)
TRUMPETS:
Brian Pareschi (lead trumpet), Jon Shaw , Terell Stafford, Scott Wendholt
TROMBONES:
Dion Tucker (lead trombone)
Jason Jackson, Robert Edwards, Max Seigel (bass trombone)
RHYTHM SECTION: Adam Birnbaum (piano) David Wong (bass) John Riley (drums)
“We'll keep it going until it tapers off...
Joel Ross’ Good Vibes
February 10 - February 15
Joel Ross – Vibraphone
Josh Johnson – Alto Saxophone
Maria Grand – Tenor Saxophone
Tyler Bullock – Piano
Kanoa Mendenhall – Bass
Jeremy Dutton – Drums
“Studious and self-assured, with a casually debonair style and a warm but faraway air, the Chicago-born Mr. Ross, became ubiquitous on the scene over the last few years without forcing himself in, by virtue of his rhythmic distinction and his adaptive spirit.
Ravi Coltrane Sextet
February 17 - February 22
Ravi Coltrane – Saxophone
Jonathan Finlayson – Trumpet
Robin Eubanks – Trombone
Orrin Evans – Piano
Dezron Douglas – Bass
Ele Howell – Drums
“He bears the name of jazz royalty, and he's spent many hours curating, archiving and producing his parents' recordings. But when he picks up his own saxophones, Ravi Coltrane blows an original and distinctly modern strain of jazz, distilling but never seeking to imitate his family's adventurous improvising spirits. Now one of today's top saxophonists
Gerald Clayton
February 24 - March 1
Yosvany Terry – Saxophone
Melissa Aldana – Saxophone
Gerald Clayton – Piano
Matt Brewer – Bass
Marcus Gilmore – Drums
“The ranks of young pianists are littered with technical virtuosos, but Clayton stands apart: He has touch, too. He's a warm and graceful player, with plenty of personal nuance; he would say that his style comes as much from gigging with West Coast bigwigs as from listening to a wide range of music.
COMING SOON!
March 3-8 Julian Lage
March 10-15 Walter Smith III
March 17-22 Marquis Hill
March 24-29 Kevin Hays
March 31 – April 5 Jakob Bro
“Changes come and go in Manhattan’s West Village neighborhood, but the basement club occupying 178 Seventh Avenue South since 1935 remains a stable and revered New York City landmark.
